{"id":2807,"date":"2009-12-13T21:27:00","date_gmt":"2009-12-14T04:27:00","guid":{"rendered":"https:\/\/juliashih.com\/blog\/?p=2807"},"modified":"2010-03-13T21:01:41","modified_gmt":"2010-03-14T05:01:41","slug":"2807","status":"publish","type":"post","link":"https:\/\/juliashih.com\/?p=2807","title":{"rendered":""},"content":{"rendered":"<p>i totally break the voice-over rule, but fuck-it. it&#8217;s about packing it into 5 pages.<\/p>\n<p><span style=\"font-weight: bold;\">Hiroshima<\/span><\/p>\n<p>INT. CHILD&#8217;S NURSERY\/JAPANESE HOUSE &#8211; DAY<\/p>\n<p>          INSERT TITLE: MAY, 1945<\/p>\n<p>          A small, bare Japanese bedroom with a tatami bed is being<br \/>          transformed into a joint bedroom-nursery.<\/p>\n<p>          An elderly handyman (MR. YAMAMOTO), his face and hands world<br \/>          worn, assembles a bamboo crib as a luminescent pregnant woman<br \/>          in her 20&#8217;s, her long, beautiful hair neatly pleated to frame<br \/>          her smooth, radiant face, sits near a window, knitting. This<br \/>          is HANA TAKAHASHI, 6 months pregnant. On the dresser, is a<br \/>          black &amp; white wedding photo of her with her husband, TAKAO, a<br \/>          handsome man in a pilot&#8217;s uniform.<\/p>\n<p>                              MR. YAMAMOTO<br \/>                    Where is Takao now?<\/p>\n<p>                              HANA<br \/>                    Flying supplies in Manchukuo. He<br \/>                    can&#8217;t say much about his missions,<br \/>                    but he hopes to be home in time for<br \/>                    the baby.<\/p>\n<p>          Hana looks out the window towards the blue skies. Her face is<br \/>          stoic but can not hide the worry.<\/p>\n<p>                              MR. YAMAMOTO<br \/>                        (kindly)<br \/>                    You and Takao will have a long and<br \/>                    blessed life with this child.<\/p>\n<p>                              HANA<br \/>                    Thank you, Mr. Yamamoto.<\/p>\n<p>          There is a knock at the door, and Hana lumbers to her feet to<br \/>          answer. It is a TELEGRAM MESSENGER, a young boy with head<br \/>          bowed, hands her a telegram. He can not meet her eyes. She<br \/>          rips open the envelope and reads.<\/p>\n<p>                              HANA<br \/>                    No&#8230;<\/p>\n<p>          Mr. Yamamoto runs and catches her before her body hits the<br \/>          ground.<\/p>\n<p>          INT. CHILD&#8217;S NURSERY\/JAPANESE HOUSE &#8211; LATER<\/p>\n<p>          Hana wakes to see the worried face of Mr. Yamamoto. She is<br \/>          laying on the tatami, a wet towel over her forehead.<\/p>\n<p>                              MR. YAMAMOTO<br \/>                    I made tea if you&#8217;d like&#8230;<\/p>\n<p>          Hana struggles to sit up.<\/p>\n<p>                              MR. YAMAMOTO<br \/>                    Please, lay. Too much excitement is<br \/>                    not good for the baby.<\/p>\n<p>                              HANA<br \/>                    Takao&#8211;<\/p>\n<p>                              MR. YAMAMOTO<br \/>                    Yes, the telegram.<\/p>\n<p>                              HANA<br \/>                    Dead.<\/p>\n<p>                              MR. YAMAMOTO<br \/>                    Missing.<\/p>\n<p>                              HANA<br \/>                    Missing means they haven&#8217;t<br \/>                    recovered the body.<\/p>\n<p>                              MR. YAMAMOTO<br \/>                    You must not think such thoughts.<br \/>                    Until you know, do not open your<br \/>                    door to darkness.<\/p>\n<p>          Outside, the sound of low-flying planes buzzes the air, a<br \/>          patrol squadron, but the sound floods Hana&#8217;s heart, a single<br \/>          tear falling, leaving a wet trail of sorrow.<\/p>\n<p>          INT. CHILD&#8217;S NURSERY\/JAPANESE HOUSE &#8211; DAY<\/p>\n<p>          INSERT TITLE: JULY, 1945<\/p>\n<p>          Hana is sitting in her usual spot by the window, knitting.<br \/>          Her stomach is bigger now. In the corner, the crib sits,<br \/>          assembled. Every sound of planes draws her eyes to the sky. A<br \/>          KNOCK comes at the front door. It&#8217;s the MAILMAN with a<br \/>          letter. She opens it and lets out a scream of joy.<\/p>\n<p>                              TAKAO (V.O.)<br \/>                    Dearest Hana. I am writing to let<br \/>                    you know I am alive.<\/p>\n<p>          EXT. PLAINS\/MANCHUKUO &#8211; DAY<\/p>\n<p>          A plane crashes to the ground. It&#8217;s a terrible crash. The<br \/>          navigator slumps in the back, the pilot is bloody but<br \/>          breathing.<\/p>\n<p>                              TAKAO (V.O.)<br \/>                    Our plane went down in the<br \/>                    uninhabited plains of the mainland,<br \/>                    my navigator Kenji was killed on<br \/>                    impact. It was only by sheer<br \/>                    miracle that I lived, though my<br \/>                    body was crushed and useless. For 4<br \/>                    days, I lay trapped, the only water<br \/>                    from light rainfall, no food,<br \/>                    waiting to be rescued, waiting to<br \/>                    die, waiting for some way out of<br \/>                    the twisted metal that had become<br \/>                    my world. Days into night, I felt<br \/>                    the crushing hopelessness, as<br \/>                    overwhelming as the pain of my<br \/>                    broken body. I would have gone<br \/>                    insane if it wasn&#8217;t for you&#8211;your<br \/>                    spirit, your voice, whispering in<br \/>                    my ear at my most desperate<br \/>                    moments, to hold on. By the 3rd<br \/>                    night, I was overcome by fever,<br \/>                    convinced I was nearing the end.<\/p>\n<p>          EXT. OCEAN &#8211; NIGHT<\/p>\n<p>          A man is struggling in the water under a full moon.<\/p>\n<p>                              TAKAO (V.O.)<br \/>                    In fever, I dreamed, of a dark<br \/>                    ocean smelling of metal, burning<br \/>                    and death. The smells of war. In<br \/>                    the distance, I could hear the<br \/>                    moans of the dying. I was drowning<br \/>                    in it, wave after wave like human<br \/>                    hatred, pushing my head underwater.<br \/>                    I screamed your name over and over,<br \/>                    Hana&#8230;I wasn&#8217;t ready to let you<br \/>                    go. Suddenly, I looked up, and<br \/>                    there was a little girl standing<br \/>                    above me. You wouldn&#8217;t believe it.<br \/>                    She had your eyes, your long,<br \/>                    beautiful hair, an angel. She said<br \/>                    her name was Fumiko, and she&#8217;d come<br \/>                    to save me. She reached out a tiny<br \/>                    hand, and I took it, and with<br \/>                    complete ease, she pulled me into<br \/>                    the moon, a place so white and full<br \/>                    of grace, the black waters could no<br \/>                    longer drown me. I knew I was<br \/>                    saved. When I woke, I was in a<br \/>                    hospital in Changchun, having spent<br \/>                    weeks in and out of consciousness.<br \/>                    Hana, they say as soon as I can<br \/>                    walk, I&#8217;m coming home. Please<br \/>                    forgive me for what grief I have<br \/>                    caused you, a husband lost for<br \/>                    dead. My body is broken, but your<br \/>                    love saved my life. Just know that<br \/>                    I am fighting to get back to you,<br \/>                    and soon our lives will be one.<\/p>\n<p>          INT. CHILD&#8217;S NURSERY\/JAPANESE HOUSE &#8211; DUSK<\/p>\n<p>          Hana clutches the letter to her chest, looking out the window<br \/>          at the darkening sky. She cries tears of relief.<\/p>\n<p>          INT. CHILD&#8217;S NURSERY\/JAPANESE HOUSE &#8211; EARLY MORNING<\/p>\n<p>          INSERT TITLE: August 6, 1945<\/p>\n<p>    Mr. Yamamoto is painting the walls a clean, cream color. Hana<br \/>          brings in a tray of tea. She hands him a small cup and he<br \/>          comes to sit next to her.<\/p>\n<p>                              MR. YAMAMOTO<br \/>                    Takao will be here by the end of<br \/>                    the month?<\/p>\n<p>                              HANA<br \/>                    Yes, he&#8217;s coming by train. He uses<br \/>                    a cane, but he can walk.<\/p>\n<p>                              MR. YAMAMOTO<br \/>                    A miracle. You can&#8217;t ask for more.<\/p>\n<p>          Suddenly, Mr. Yamamoto&#8217;s expression changes to one of<br \/>          confusion. Hana follows his gaze out the window.<\/p>\n<p>                              MR. YAMAMOTO<br \/>                    I saw a flash.<\/p>\n<p>          As they look out the window, the sky suddenly turns red and<br \/>          the air in the room wavers with heat, the glass of the window<br \/>          seeming to bend. Air raid sirens SCREAM. Mr. Yamamoto pulls<br \/>          Hana to the floor just before the glass bursts. Everything<br \/>          rumbles around them.<\/p>\n<p>          Hana cries in pain. Her water breaks.<\/p>\n<p>          EXT\/INT. TRAIN &#8211; DAY<\/p>\n<p>          Takao sits on a train, staring at the passing scenery. A<br \/>          group of soldiers nearby are tuning a handheld radio<br \/>          broadcasting Emperor Hirohito&#8217;s address of surrender. ANGRY<br \/>          UPROAR. A SOLDIER with a bandaged arm that ends with a stump<br \/>          sits down next to him.<\/p>\n<p>                              SOLDIER<br \/>                    It&#8217;s over now. We&#8217;ve lost.<\/p>\n<p>          Takeo shakes his head.<\/p>\n<p>                              SOLDIER<br \/>                    Where&#8217;s home, brother?<\/p>\n<p>                              TAKAO<br \/>                    Hiroshima.<\/p>\n<p>          INT. CHILD&#8217;S NURSERY\/JAPANESE HOUSE &#8211; NIGHT<\/p>\n<p>          Takao rushes in, leaning on a cane.<\/p>\n<p>                              TAKAO<br \/>                    Hana?<\/p>\n<p>          By the window, Hana turns, a warm bundle in her arms. Her<br \/>          hair is long and sleek, down to her back. She bounds towards<br \/>          him and they embrace, tears flowing. She holds out the baby.<\/p>\n<p>                              HANA<br \/>                    Fumiko.<\/p>\n<p>                              TAKAO<br \/>                    The angel who saved my life.<\/p>\n<p>          Takao takes the bundle, and holds her, her tiny hand reaching<br \/>          out for him. He clasps it in his.<\/p>\n<p>                              TAKAO<br \/>                    And to think, each day, her hands<br \/>                    will never be this small again.<\/p>\n<p>          He looks at his wife, eyes full of love. He embraces her like<br \/>          he&#8217;ll never let her go and kisses her. But something&#8217;s wrong.<br \/>          Her hair hangs limply against her back from his hand. He<br \/>          looks up and sees that she is bald, her hair a wig that&#8217;s<br \/>          fallen. She&#8217;s sick. Her face is wet with tears.<\/p>\n<p>                              HANA<br \/>                    I&#8217;m so sorry, Takao.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>i totally break the voice-over rule, but fuck-it. it&#8217;s about packing it into 5 pages. Hiroshima INT. CHILD&#8217;S NURSERY\/JAPANESE HOUSE &#8211; DAY INSERT TITLE: MAY, 1945 A small, bare Japanese bedroom with a tatami bed is being transformed into a joint bedroom-nursery. An elderly handyman (MR. YAMAMOTO), his face and hands world worn, assembles a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[10],"class_list":["post-2807","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-fiction"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/sbl5mn-2807","_links":{"self":[{"href":"https:\/\/juliashih.com\/index.php?rest_route=\/wp\/v2\/posts\/2807","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/juliashih.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/juliashih.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/juliashih.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/juliashih.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2807"}],"version-history":[{"count":1,"href":"https:\/\/juliashih.com\/index.php?rest_route=\/wp\/v2\/posts\/2807\/revisions"}],"predecessor-version":[{"id":3485,"href":"https:\/\/juliashih.com\/index.php?rest_route=\/wp\/v2\/posts\/2807\/revisions\/3485"}],"wp:attachment":[{"href":"https:\/\/juliashih.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2807"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/juliashih.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2807"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/juliashih.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2807"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}